Cecilia Arditto Delsoglio - Analysis
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This piece is based on the idea of suggestion rather than revelation. The music operates in the outer limits of perception; events are sensed rather than clearly perceived, contour prevails over detail, the respiration of music is whispered. The narrow dynamic range, the restricted instrumental timbre and the blurred effect of the rhythmical combinations aim at creating music that is slightly ‘out of focus’. Melodies are masked,
Four musicians in a room play music. Each one has a lamp. Besides the music, the performers “play” the lights on and off during the piece creating different scenes. The space of the stage is always changing because of the lights. This music suggests a counterpoint of different layers: the rhythm of the music, the rhythm of the lights, the rhythm of the room: spaces to be
La pieza esta construida en base a la idea de isorritmos. Estas estructuras rítmicas base se repiten constantemente en el discurso de la pieza, a nivel macro (forma de la pieza) y a nivel micro (fraseo). Los isorritmos en si mismos no representan nada, ya que en la pieza aparecen con distintos “contenidos”: distinta instrumentación, tempos, armonías, alturas. No es interesante el concepto del isorritmo en la
Palabras (words) is a piece which work with words in two different ways: a) “Palabras” as sounds: the texture of the spoken language, the inflections of the human voice. Words as colors; b) “Palabras” as syntax: words combination create structures and musical grammar: linearity, polyphony, etc. Words as architecture. The piece is divided in five different blocks of spoken language that goes from the proper spoken voice