The art of combining things
para Gabriel Abellán
Today, I began my day by reading a post on Gabriel Abellán´s blog (in Spanish), a blog devoted to physics and music under both a very smart and poetic perspective. In his latest post, Gabriel shares with us, how a logic class, taught by an inspiring teacher, changed him forever. Emphatically, I remembered my father teaching me math when I was in kindergarten.
https://labellephysique.wordpress.com/2022/05/06/logica-y-norealidad/
Science and science-fiction
From my last visit to Argentina (I live in Amsterdam) I brought a suitcase full of books: 23 kgs of precious books. I “stole” from the family bookshelf the science-fiction collection that belonged to my father. I also brought a very inexpensive (but super heavy!) collection of science books that I bought in calle Corrientes, a street in Buenos Aires, very well known for its amazing bookshops.
I am sure that the pioneers of relativity theory with their wild imagination deeply pleased Asimov and Bradbury. Wells traveling on time, and Philip Dick, with his multiple worlds, both of them speak the same language than the realities glimpsed by quantum physics scientists. In the corner of the music, Stockhausen comes to my mind too… maybe it is true that he comes from Sirius.
People from these two piles of books have in common that they could see a world beyond the everyday facts. They saw it, they believed in it, and they went for it. Each pile requires a different tool: some of them build new realities with the calculator, others with the typewriter. Just nuances.
It is easy to associate the capacity of dreaming about new realities with artists, something that scientists also do. They have to.
It is easy to associate the idea of science changing the world (I think about the discovery of electricity or the atom partition) but is something that artists also do. The world of art and the development of the human race have been spinning out together since the beginning of our times, feeding each other, making each other.
The architecture of cloth.
I also brought from Argentina in that same suitcase a pile of sewing patterns that belonged to my mum, and previously to my grandmother: a collection of Burda magazines. My grandma, Beba, taught me to sew when I was really very little. From a very early age, I could make clothes for my puppets, and for myself, following the instructions of these patterns. La abuelita Beba let me use her sewing machine, brand Singer, actuated with a pedal, that, in those times, was just at the tips of my small feet. I didn’t care less about the dolls; I was more interested in the confection of these intricated mini designs with sleeves, zippers and pliers. Believe me, still not easy. I was also, amazed by the mechanism of the sewing machine. I still am.
Now I am writing scores, with instructions, sometimes in several languages, like in Burda magazine!
Varese said that music is organized sound.
I say that music is the art to combine… a lot of things.
Cheers!
La vieja internet, aquella de las páginas webs y blogs, todavía proponen una vieja escuela, donde uno va a un sitio a buscar algo, lo lee, lo comenta, se escribe con más caracteres y se necesitan de párrafos completos para expresar ideas. 
es como cuando uno quiere una postura nueva, pero no es el momento, porque los músculos, las articulaciones, los huesos, no están listos.
Me organicé la vida para poder componer lento, Para pensar mucho y borrar mas. Cuando llegué a Europa, no paraba de escribir. Las ideas venían una detrás de otras, llevándome a lugares inesperados e interesantes. Las cosas no son de una manera. Son distintos momentos. Igual, tengo la firme sospecha, de que los momentos veloces, inspirados y espontáneos, son el fruto de años y años de trabajo previo, que un día se manifiestan como el exacto punto de la clara de huevo, pero no existirían sin el batido previo. No se de donde saque esta imagen tan trucha, pero la dejo, como un anti ejemplo del corregir y corregir….
