Publications - Cecilia Arditto Delsoglio

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Texts by me

Old as new as old as new as… (English)
Composer’s Notebook Quarterly #2 Amsterdam, April 2008 PDF article

Lo viejo y lo nuevo (Español)
VOXes Revista Académica de Música Nro.1 UNL, Bs As, Argentina Junio 2008 PDF article

My article About notation and the score of Zand (mistakenly titled Música invisible) was published in Notations 21 by Theresa Sauer. PDF article

My house in a score. Low-tech paraphernalia in chamber music (English)
The ear reader August 2014. PDF article

Mi casa en una partitura. Parafernalia low-tech en música de cámara (Español)
Revista Espacio Sonoro nº 32-01/2014 PDF article

Drinnen Vor Ort. Festival Rümlingen 2011. (Einladungskarte). Neue Musik Theater Installationen. September 2011

Musique concrète: notes on image and sound (English)
Self-publish Februay 2016 PDF article

Musique concrète: anotaciones sobre imagen y sonido (Español)
Publicación propia Febrero 2016 PDF article

Fragmente-Stille, an Diotima, a personal listening.
Master Thesis Conservatory of Amsterdam, March 2004 – Coming soon.

References to my work - books

Música invisible for trumpet is cited in Modern Times for Brass by Malte Burba and Paul Hübner.

Casi cerca: Interview with Cecilia Arditto by Makis Solomon at The Logbook 3rd International Forum 2004; Centre de documentation de la musique contemporaine (CDMC) ; Ensemble Aleph. Link to PDF complete interview (English and French)

Música invisible is cited in John Coltrane, la musique sans raison, chapter Les yeux fermés, une musique invisible by Michel Arcens (in French) Link to excerpt (in French)

My article About notation and the score of Zand (mistakenly titled Música invisible) was published in Notations 21 by Theresa Sauer. Link to article

Música invisible for cello is cited in Une approche ergonomique des langages microtonaux au violoncelle by Émilie Girard-Charest.

A text I wrote for Notation 21 is quoted in The Work of Literary Translation by Clive Scott

Split piano is cited in Estéticas de lo extremo, chapter El silencio como categoria estética by Luciano Luterau.

Comments about the experimental female scene in Argentina are included in Positionen, in Todo es Musica: Der Alltag in der Anomalia Argentina by Sven & Gerliene Schlijper-Karssenberg

Interviews

Cecilia Arditto Delsoglio by Aftermath Laika (2021) Image Campus – Spanish
https://www.imagecampus.edu.ar/entrevistas/entrevista-cecilia-arditto-delsoglio Link to interview (online)

Cecilia Arditto Delsoglio by Makis Solomon (2004) The Logbook, Ensemble Aleph – English and French. Link to interview (PDF)

References to my work - thesis

César, Paula (2019). Si no se la oye, no trasciende… Panorama actual de las compositoras argentinas.Cuatro obras para flauta sola. Conservatorio superior Manuel de Falla.
Analysis of Música invisible for flute + interview Link to full text

Dos Santos, Douglas Rafael (2019). Timbre exploration on water gongs. Turkish Music State Conservatory
Reference to La madre del río and Mapas del agua Link to PDF file

Serale, Daniel (2019). Percussão teatral em Kagel: performance e representação. Universidade Federal do Rio de Janeiro.
Reference to Música invisible and Musique Concréte Link to full text

Vieri, Lilia Sofía (2017) Protagonismo de la mujer en la música. El rol de la mujer santafesina en la creación musical. Revista AMÉRICA Nº 26 Centro de estudios hispanoamericanos. Reference to my activity as a composer Link to full text

Paul, Abel (2017).
Doubles and duplication: a study of their application as musical materials and compositional devices—mirrors, still lifes, echoes,
displacements. University of Huddersfield.
Reference to Around Music and Gespleten Piano Link to full text

De Oliveira Filho, Pedro Amorin (2014). Compor no mundo: Um modelo de compor música sobre bases fenomenológicas. Universidade Federal da Bahia
Reference to Música invisible Link to full text

Presentations online

Social media

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Instagram

Afinity @micheleabondano

25/5/222 dislocated shapes: an English Horn (+oboe

dislocated shapes: an English Horn (+oboe) recital

I´ve been invited by Luciana Cueto (and Ghalia Ja

New post on my blog (in English this time) https:/

Aquí la entrevista completa que me realizó hoy V

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Cecilia Arditto Delsoglio

University of California at San Diego

Tomorrow-presencial & streaming - dislocated shapes: an English Horn (+oboe) recital by Juliana Gaona
Presenting works by Karola Obermüller, Melisa Vargas Franco (premiere) and myself.
In collaboration with @mfloresbucio (voice), we will perform arrangements of Latinamerican canciones

RSVP required: http://music.ucsd.edu/tickets ��Streaming LIVE at http://music.ucsd.edu/live

Flyer design @carolinacameloc

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Cecilia Arditto Delsoglio

dislocated shapes: an English Horn (+oboe) recital by Juliana Gaona
Presenting works by Karola Obermüller, Melisa Vargas Franco (premiere) and myself.
In collaboration with @mfloresbucio (voice), we will perform arrangements of Latinamerican canciones

RSVP required: http://music.ucsd.edu/tickets   Streaming LIVE at http://music.ucsd.edu/live

Flyer design @carolinacameloc

29 2 2 View on Facebook

Cecilia Arditto Delsoglio

I´ve been invited by Luciana Cueto (and Ghalia Jando) to bring 13 stories from 13 women worldwide into a sound (cassette) installation. There is indeed not too much I can do, astonished by the deepness of the testimonies and live experiences. "Heldinverhalen & de Boom der Dromen", brilliantly staged by Luciana Cueto brings both artistic and human skills into a unique experience where reality and art, art and reality are one.
You are warmly invited! More info the link below. Reservation required.
https://fb.me/e/1NQyssLnJ

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Cecilia Arditto Delsoglio

A new post on my blog (in English this time): "The art of combining things"
https://ceciliaarditto.com/the-art-of-combining-things/
Cheers!

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Cecilia Arditto Delsoglio

Universidad Nacional de las Artes - UNA

Aquí la entrevista completa que me realizó hoy Victoria Gandini para su programa de radio #musicascruzadas. Hablando de la tarea de la composición y sus distintas facetas: el lenguaje propio, el aspecto profesional, la práctica concreta, entre otros temas.
Un espacio de encuentro distendido y profundo. Una entrevistadora de lujo! Un placer!
https://youtu.be/sSxmYIUXXzA?t=817