Cuarteto is inspired by the Sederunt Principes by Perotin, a four-voice chant setting (organum quadruplum) composed in the XIII century. Sederunt Principes is presumably the first polyphonic composition for four voices, where colorful textures and ingenious motivic games come together at the end of every phrase. This phrasing in arcs was a conventional technique in the late medieval polyphony, rooted in the Gregorian chant, reminding the pillars of Gothic cathedrals.
Cuarteto utilizes vocal techniques from the XX avant-garde inspired on the exuberance of this pioneering masterpiece from the Middle Ages. It also addresses its arc form. Both pieces, Cuarteto and the Sederunt Principes, even with a completely different outcome, share similar composition technics and a close spirit.
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