Texts by me
Old as new as old as new as… (English)
Composer’s Notebook Quarterly #2 Amsterdam, April 2008
PDF article
Lo viejo y lo nuevo (Español)
VOXes Revista Académica de Música Nro.1 UNL, Bs As, Argentina Junio 2008
PDF article
My house in a score. Low-tech paraphernalia in chamber music (English)
The ear reader, August 2014.
PDF article
Mi casa en una partitura. Parafernalia low-tech en música de cámara (Español)
Revista Espacio Sonoro nº 32-01/2014
PDF article
Musique concrète: notes on image and sound (English)
Self-published February 2016
PDF article
Musique concrète: anotaciones sobre imagen y sonido (Español)
Publicación propia, febrero 2016
PDF article
My article about notation and the score of Zand
was published in Notations 21 by Theresa Sauer.
Link to article
Drinnen Vor Ort. Festival Rümlingen 2011. (Einladungskarte).
Neue Musik Theater Installationen. September 2011
Link to source
Fragmente-Stille, an Diotima,
a personal listening.
Master Thesis Conservatory of Amsterdam, March 2004
References to my work – books
- Modern Times for Brass by Malte Burba and Paul Hübner: cites Música invisible for trumpet.
- John Coltrane, la musique sans raison by Michel Arcens: includes Música invisible in the chapter Les yeux fermés, une musique invisible (French). Link to excerpt.
- Une approche ergonomique des langaghttps://www.erudit.org/en/journals/circuit/2019-v29-n2-circuit04806/1062567ar.pdfes microtonaux au violoncelle by Émilie Girard-Charest cites Música invisible for cello.
- Estéticas de lo extremo by Luciano Luterau: cites Split piano in the chapter El silencio como categoría estética.
- Kijken naar geluid (seeing the sound) by Renèe van Marissing: essay with pictures by Seye Cadmus. Link to article.
- The Logbook – 3rd International Forum for Young Composers, 2004: includes Casi cerca, an interview with Cecilia Arditto by Makis Solomon; Centre de documentation de la musique contemporaine (CDMC); Ensemble Aleph. Link to complete interview (English and French).
- The Work of Literary Translation by Clive Scott: quotes a text by Cecilia Arditto from Notations 21. Positionen –
- Todo es Musica: Der Alltag in der Anomalia Argentina by Sven & Gerliene Schlijper-Karssenberg: includes comments on the experimental female scene in Argentina.
- Creating a colorful program by Ashley Killam, International Trumpet Guide, March 2021: proposes Música invisible for trumpet as part of new repertoire for trumpet education. Link to article.
References to my work – theses
- Michele Abondano (2022). The composition of timbre: a multidimensional approach. PhD thesis, University of Leeds. Mention of my orchestra piece Tissue. Link to PDF file
- Luisina Kippes (2022). La percepción del estímulo audiovisual en un espacio/recinto condicionante. Real Conservatorio Superior de Música de Madrid. Esta investigación indaga acerca de cómo la distribución espacial y las estéticas tanto visuales como sonoras pueden condicionar y afectar a la percepción del espectador. La música de Elena Mendoza y Cecilia Arditto son el centro de este estudio.
- César, Paula (2019). Si no se la oye, no trasciende… Panorama actual de las compositoras argentinas. Cuatro obras para flauta sola. Conservatorio Superior Manuel de Falla. Analysis of Música invisible for flute + interview. Link to full text
- Dos Santos, Douglas Rafael (2019). Timbre exploration on water gongs. Turkish Music State Conservatory.
Reference to La madre del río and Mapas del agua. Link to PDF file - Serale, Daniel (2019). Percussão teatral em Kagel: performance e representación. Universidade Federal do Rio de Janeiro. Reference to Música invisible and Musique concrète. Link to full text
- Vieri, Lilia Sofía (2017). Protagonismo de la mujer en la música. El rol de la mujer santafesina en la creación musical. Revista AMÉRICA Nº 26, Centro de Estudios Hispanoamericanos.
Reference to my activity as a composer. Link to full text - Paul, Abel (2017). Doubles and duplication: a study of their application as musical materials and compositional devices – mirrors, still lifes, echoes, displacements. University of Huddersfield. Reference to Around Music and Gespleten Piano. Link to full text
- De Oliveira Filho, Pedro Amorin (2014). Compor no mundo: Um modelo de compor música sobre bases fenomenológicas. Universidade Federal da Bahia. Reference to Música invisible. Link to full text
- Violeta Nigro Giunta (2022). Transformaciones en la música contemporánea EN Buenos Aires. Obras, actores, instituciones (1984-2014). Short reference L.V. composers’ group. Link to PDF file
- Lucia Fortuna (2025). Recontextualización sonora y apertura interpretativa en Belloc, Arditto y Brahms. Link to PDF file
Interviews
- Cecilia Arditto Delsoglio by Aftermath Laika (2021) Image Campus – Spanish. Link to interview
- Cecilia Arditto Delsoglio by Makis Solomon (2004) The Logbook, Ensemble Aleph – English and French. Link to interview (PDF)
Talks online
- Dixit | Interview series by Modelo62 | #5 Cecilia Arditto Delsoglio
- Cecilia Arditto en conversación con Low Frequency Trio – Mexico
- Tercer Encuentro Nacional de Composición IUPA Argentina
- Cecilia Arditto (composer) presenting at the 2021 Charlotte New Music Festival online
- Cecilia Arditto Delsoglio – Interview Festival Mujeres en la Música Nueva 2020: Colombia
- Cecilia Arditto in conversation about her piece Tissue – 2021 Composers’ Symposium